The 80s saw two comedy heroes catapult to stardom, Ashok Saraf and Laxmikant Berde.
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By this time Marathi Cinema was caught in either the Tamasha genre or tragedies revolving around traditional family dramas on one side and the comedies of Dada Kondke. He later went on to create satirical, pun-ridden films often including social and political commentary, many of which became cult classics. The early 70s saw the advent of Dada Kondke who captured the audiences with his sense of humour. Then came directors like Datta Dharmadhikari and Raj Dutt who made traditional family dramas. The 60s saw the emergence of directors like Anant Mane who made Marathi films based on the folk art form Tamasha. Shantaram, Master Vinayak, Bhalji Pendharkar, Acharya Atre, followed by Raja Paranjpe, Dinkar D Patil, G.
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Marathi Cinema was in its full bloom by this time with the advent of greats like V. In 1954, at the very first edition of the National Awards, the winner of the President's Gold Medal was Shyamchi Aai, Acharya P K Atre's film version of the eponymous novel by Sane Guruji. Prabhat's Sant Tukaram was the first Indian film to win the Best Film Award at the Venice film festival way back in 1937. It was a silent film, but is part of Marathi cinema as it was made by a Marathi crew.Īs cinema grew in Union of India, major production houses rose and one of them was again a company owned wholly by Maharashtrians, the Prabhat Film Company.
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In fact the pioneer of cinema in Union of India was Dadasaheb Phalke - a Marathi man from Maharashtra, who brought the revolution of moving images to India with his first indigenously made film Raja Harishchandra. Marathi Cinema is as old as Cinema in India.